The Birth ended with Akira believing he could use Amon’s power for good. Amon brutally deconstructs this idea. The OVA argues that there is no compromise with a primal force of chaos. The moment Akira merges with Amon, his human identity is on borrowed time. The film asks: Can you truly weaponize hatred and violence for love and protection? Its answer is a resounding, bloody no .
Amon: The Apocalypse of Devilman , directed by Umanosuke Iida (who worked on The Birth ) and written by Go Nagai himself alongside Akinori Endo, picks up immediately where the first OVA left off. The animation studio was Oh! Production, with character design and animation direction by the legendary Yoshihiko Umakoshi (later known for Casshern Sins and My Hero Academia ). Umakoshi’s work here is raw, muscular, and grotesquely beautiful—a perfect marriage of Nagai’s crude, expressive style and high-fidelity anime detail. amon - the apocalypse of devilman
The music in the film, composed by Toshihiko Sahashi, is equally effective in setting the tone for the movie. The score is a mix of electronic and orchestral elements, creating a sense of tension and foreboding that complements the on-screen action. The Birth ended with Akira believing he could
In conclusion, is a dark and thought-provoking anime film that offers a unique viewing experience for fans of the genre. With its complex themes, haunting animation, and effective music, the film is a significant work in the anime film canon, offering a dark and unsettling vision of a world on the brink of destruction. The moment Akira merges with Amon, his human