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Do not approach Piazzolla as you would Sor or Carcassi. Throw away the metronome (occasionally). Embrace the grit. Learn to sigh. And remember the famous instruction Piazzolla gave to his own violinist: "Play it out of tune, but with soul."
The guitar’s ability to produce a tambora (hitting the strings with the side of the hand) mimics the percussive chug of the bandoneón’s bellows. The guitar’s rich, dark bass strings replicate the growl of the lower register of Piazzolla’s quintet. Furthermore, the guitar doesn’t sustain notes like a violin or flute; it decays. This decay mimics the natural "sigh" of the bandoneón as the air pressure releases. piazzolla for guitar
Piazzolla wrote for bandoneon (accordion-like). On guitar: Do not approach Piazzolla as you would Sor or Carcassi
: Originally written for flute and guitar, this four-movement suite traces the evolution of tango from the bordellos of 1900 to modern-day "concert tango". It is widely considered one of the most important chamber works for the instrument. Learn to sigh
To understand how "Piazzolla for
: Known for its hauntingly beautiful melody, it is a staple for guitarists looking to showcase lyrical phrasing. Histoire du Tango
Pick up your guitar, drop your thumb deep onto that low E string, and let the Tango Nuevo begin.