V/H/S/99 is an uneven but wildly creative horror anthology that succeeds more often than it fails. Its greatest strength is its : a claustrophobic burial, a torture-porn game show parody, a tech-horror voyeur story, and a hell-comedy road trip. Its greatest weakness is its framing device , which is forgettable, and its tone inconsistency . However, for fans of practical effects, 90s nostalgia, and the found-footage format, V/H/S/99 offers four memorable nightmares—and one that you’ll likely skip on rewatch (the wraparound). It stands as a worthy, if flawed, chapter in the enduring V/H/S saga.
In an era of weightless CGI ghosts, is a war cry for practical effects. Nearly every monster, gore gag, and death sequence was accomplished on set. v h s 99 2022
The wraparound segment, titled “Shredding,” sets the tone perfectly. We are introduced to a punk rock band of high school outcasts (the band is ironically named “R.A.C.K.”) who decide to break into a demolished concert venue—the legendary (fictional) “Sunrise Pavilion”—where a tragic crowd crush killed several fans years earlier. Their goal? To film a music video in the haunted rubble and, more importantly, to “prank” a rival band. V/H/S/99 is an uneven but wildly creative horror
Claustrophobic tension, effective use of limited space, and a grimly ironic ending. The monster design is suitably gross. Weaknesses: The plot is simple, and the “haunted burial ground” trope is well-worn. However, for fans of practical effects, 90s nostalgia,
More polarized than critics. Hardcore horror fans enjoyed the practical gore and nostalgia. Casual viewers found the segments uneven and the characters too unlikeable. The Gawkers received the most negative audience feedback for its “creepy” male perspective, despite that being intentional.