Popular media has stopped pretending. In the 2000s, we had Tony Soprano and Don Draper—flawed men we could rationalize. In 2024, we have the
But to reclaim popular media, we must first starve the private society model. Do not hate-watch the show about the billionaire's tantrum. Do not engage the rage-bait tweet. Do not give your 3 AM anxiety to the influencer who treats life like a PvP arena.
Psychologists call it "compassion fatigue." But that’s too gentle. It is actually moral numbing . Asshole Overload -Private Society- 2024 XXX 720...
: The brand often satirizes or exaggerates the "aggressive" and "attention-seeking" behaviors found in modern social media influencers.
: A system where loyalty or engagement unlocks more "unfiltered" content, mirroring gamification trends in the digital economy. Popular media has stopped pretending
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The most radical act in 2024 is to be bored by the asshole. To scroll past the meltdown. To turn off the reality show when the screaming starts. To recognize that "Asshole Overload" is a manufactured condition, designed to keep you outraged and engaged so that the private society elite can continue their party in peace. Do not hate-watch the show about the billionaire's tantrum
We have reached a point where audiences no longer root for the hero. We root for the comeuppance . But in the age of Asshole Overload, the comeuppance never fully arrives because the asshole retreats back into their private society at the end of the episode.
Characters like Tony Soprano ( The Sopranos ), Dr. Gregory House ( House M.D. ), and Walter White ( Breaking Bad ) paved the way. They were compelling not despite their flaws, but because of them. Tony Soprano was a mobster who suffocated informants; Dr. House was a misanthropic drug addict who belittled patients; Walter White became a drug lord who let his partner’s girlfriend die.
Consider the modern landscape. We have Kendall Roy ( Succession ), a man who destroys lives for a CEO title; Rick Sanchez ( Rick and Morty ), a nihilistic genius who treats his family as props; and a litany of reality TV stars whose only claim to fame is their inability to behave with basic decency. The media landscape is crowded with men and women who equate cruelty with strength and selfishness with ambition.