The album art, drawn by Hussie himself, depicts John Egbert floating in a wind-torn void, holding a hammer, with the burning house of his father in the background. It is melancholic, heroic, and deeply strange—a perfect visual metaphor for the music inside.

Yes, this is the song that became the final boss theme of Undertale ’s Genocide Route. But here, in , it is raw and untamed. It’s the theme for the "Guardian" fights (specifically Dad Egbert fighting the ogres). The track is a keyboard-driven rock riot. Fun fact: The title is a misspelling of "Megalo-Mania" that stuck. This track alone proves that Toby Fox’s melodic sensibilities were fully formed years before he made his own game.

In the end, Homestuck's legacy will be defined by its ability to inspire and connect with its audience. The series has shown us that stories can be a powerful force for change, offering a window into new worlds and perspectives.

Put on your headphones. Queue up "Savior of the Waking World." And remember what it felt like to believe that a webcomic could change your life.

– Features the Doctor motif in a tragic, orchestral setting. Plays during the memory of the Signless’s execution. Devastatingly beautiful.

: A frantic, complex medley used during Jade Harley's entry into the Medium. It expertly weaves together several major motifs from earlier in the series, including "Sburban Jungle" and the " Homestuck Anthem ".

– Not his official Theme from later albums, but a quirky, anxious chiptune piece that fits the cancer troll’s personality perfectly.