The archive includes detailed miniatures of sheikhs, qadis (judges), and dervishes. The turbans here differ markedly: dervishes often wore a tac (a tall, segmented felt cap) wrapped with a simple cloth, while the Sheikh al-Islam wore a massive, bulbous turban named kavuk .
The "1l" archive is not limited to paintings. Late Ottoman photographs (1880–1922) by studios like Abdullah Frères and Sébah & Joaillier show real people—shopkeepers, soldiers, and officials—wearing their daily turbans. These are invaluable for historical reenactors and filmmakers.
These categories are indexed in the archive’s metadata, enabling filtered searches (e.g., “Kürt Sarığı” + “1920‑1930”).
When using images in publications, credit both the archive and the original photographer (where known). Turk Turbanli Resim Arsivi 1l
Outcome: A short, data‑driven visual essay that can be used in undergraduate Ottoman‑Republic transition courses.
: Highlight the variety of materials used in Turkish styles, from luxurious silk (ipek) to practical medina silk and cotton blends.
| Goal | Recommended Approach | |------|----------------------| | | Use the turban_type filter, then export the resulting images to a local folder. Apply OpenCV edge‑detection to compare knot structures. | | Track changes over time | Create a timeline visualisation using the date metadata; overlay with historical events (e.g., 1925 Hat Law). | | Study gendered dress | Combine the gender field (when present) with turban_type ; note the scarcity of female turban images—supplement with textual sources. | | Map spatial distribution | Export the latitude/longitude (where available) and plot with QGIS ; color‑code by turban type. | | Analyze photographic techniques | Examine the photographer and studio fields; compare glass‑plate negatives (pre‑1900) with early 35 mm prints. | The archive includes detailed miniatures of sheikhs, qadis
If you are organizing this archive for a blog or social media, use descriptive and respectful language:
In Turkey, the headscarf is a significant cultural and religious symbol. Archives that fetishize or exploit these images are often viewed as controversial or offensive by the general public.
Future versions of this archive will likely incorporate: When using images in publications, credit both the
Understanding these temporal layers is crucial for interpreting the images: a turban can be a marker of prestige, religious affiliation, regional belonging, or resistance to state‑mandated dress reforms.
| Image No. | Description | Turban Type | Approx. Date | Significance | |-----------|-------------|------------|--------------|--------------| | | Portrait of Müşir Ahmed İzzet Pasha in full dress uniform, wearing a saray fes (imperial silk‑lined turban). | Saray Fesi (court‑style) | 1903 | Illustrates the link between military rank and head‑gear; useful for studies of Ottoman dress codes. | | #112 | Group of Kurdish tribal leaders in Kurdish‑style turban (large, wrapped in dark wool). | Kürt Sarığı | 1922 | Shows persistence of regional styles after the 1925 Hat Law; valuable for ethnographic comparison. | | #276 | Female relative of a Sufi sheikh, veiled, with a small white turban over the veil. | Müslüman Kadın Turbanı | 1915 | Rare example of women wearing modest turbans within religious circles. | | #389 | Street protest in Istanbul, 1925, participants defiantly wearing turbans despite the new dress law. | Mixed (regional) | 1925 | Visual evidence of popular resistance; often quoted in social‑history monographs. | | #517 (digital only) | Aerial view of a market in Erzurum, showing dozens of merchants with distinct Karaköy turbans. | Karaköy Sarığı | 1930 | Demonstrates how turbans functioned as visual “brand” markers for merchants. |