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The film's music is a central "useful piece" of the production, blending traditional Punjabi folk with modern arrangements: : A poignant, somber track sung by Arijit Singh.

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But the same tensions remain. In 2023, a political party in Punjab demanded that a Chamkila song be removed from a public event because it was “indecent.” In 2024, after the film’s release, some religious groups called for a boycott. Chamkila, it seems, is still getting killed in slow motion. The film's music is a central "useful piece"

The film opens with the assassination and then rewinds. By the climax, you understand the crushing irony: Chamkila knew he would be murdered. He had survived multiple attacks. Yet he kept performing because that was the only freedom he ever knew. One of the most haunting lines in the film — spoken by a fictional journalist — is: “Punjab didn’t kill Chamkila. It killed the mirror he held up to it.” In 2023, a political party in Punjab demanded

, avoids mere modernization; it integrates Chamkila’s original compositions to maintain the era’s soul. A Tragic Legacy

Most mainstream stories gloss over caste. This film centers it. Chamkila’s Dalit identity is shown as the root of both his rage and his insecurity. When upper-caste landlords hire him to sing “vulgar” songs at their weddings, they simultaneously love his art and despise his existence. Imtiaz Ali doesn’t let the audience forget that Chamkila was killed not just for obscenity, but for the audacity of a Dalit man wielding cultural power.

His songs — Pehle Lalkare Naal Marda Si , Jatt Di Dushman , Talwar — were banned by All India Radio but sold hundreds of thousands of cassettes on the black market. Chamkila became the highest-selling live performer in Punjab's history, often earning more per show than Bollywood playback singers. But his explicit lyrics also made enemies: religious leaders, conservative politicians, and rival singers.