12 Years A Slave -film- _verified_ Access

Some critics argue that is "too difficult" to watch. But that difficulty is precisely the point. Comfort is a privilege that Solomon Northup was denied. To look away is to disrespect the memory of the millions who suffered.

Supporting turns from Paul Dano, Sarah Paulson, and Benedict Cumberbatch round out a cast that feels less like actors and more like ghosts haunting the Louisiana bayou. 12 years a slave -film-

This is where 12 Years a Slave differs from a film like Schindler’s List . There is no heroic factory owner here. There is only survival. And the film insists that survival is not a victory; it is a raw, bleeding wound. Some critics argue that is "too difficult" to watch

Steve McQueen’s background in visual art defines the film’s aesthetic. Cinematographer Sean Bobbitt bathes the Louisiana plantation in a sickly, golden sunlight that feels simultaneously beautiful and oppressive. The cotton fields are not romantic; they are endless mazes of labor and death. To look away is to disrespect the memory