Why would you want this? Because sometimes, you don't want "vibe" on the way in. If you are recording sample-based hip-hop, foley audio for film, or heavy metal where you need extreme surgical cutting later, "Uad Raw" offers the highest fidelity capture possible from the Apollo ecosystem.
To get the truest "Raw" conversion, set your Apollo to 96kHz. While 44.1kHz is standard, the Nyquist filters at 96kHz push aliasing artifacts further out of the audible range, resulting in a cleaner, more open "Raw" top end.
Let me know, and I’ll write the detailed step‑by‑step guide you need. Uad Raw
On some Apollo models, there is a hidden "soft saturation" circuit when you crank the physical gain knob. For Uad Raw, keep your gain between 12 o'clock and 3 o'clock to avoid pushing the converter into non-linear territory.
, please clarify:
If you mean :
Standard plugins operate after the analog-to-digital conversion has taken place. Your microphone signal hits the preamp, gets amplified, is converted to 0s and 1s, and then a plugin tries to emulate the sound of a vintage Neve or API. This is a simulation of a result, not a simulation of the interaction. Why would you want this
In this deep dive, we will explore what "UAD Raw" actually means, the science behind Unison technology, why engineers are choosing this approach, and how you can harness it for your productions.
: It is used to transform clean string patches or digital pads into aggressive, evolving textures that grow in edge over a track's crescendo. ⚙️ Key Technical Features To get the truest "Raw" conversion, set your Apollo to 96kHz