James Jamerson Standing Shadows Motown Pdf 14 Hot! Now

The search volume for reveals a modern reality: the original Dr. Licks book (published in 1988) is out of print for long stretches, or prohibitively expensive as a collector’s item. Consequently, bassists share scanned PDFs of the transcription section.

If you are a serious student, here is how to efficiently find and use this resource:

Some forum posts mistakenly reference “page 14” as containing the transcription for . That is incorrect. “What’s Going On” is later in the book. Page 14 is the thesis statement: it introduces Jamerson’s harmonic density using “Bernadette” as exhibit A. james jamerson standing shadows motown pdf 14

When music historians discuss the "Motown Sound"—that infectious, polished, soul-shaking blend of pop and rhythm and blues that defined a generation—they often speak of the singers. They speak of Diana Ross, Marvin Gaye, Stevie Wonder, and Smokey Robinson. But behind the glittering curtain of the frontmen stood a group of musicians known as the Funk Brothers. Among them, standing head and shoulders above the rest in terms of influence and innovation, was bassist James Jamerson.

On this mythical page, you will see:

A bassist with that PDF will spend three months trying to play Page 14 at half speed. Most give up. That is the Jamerson effect.

In the pantheon of electric bass guitar, two names sit on twin thrones: Jaco Pastorius for fretless virtuosity, and James Lee Jamerson for everything else. To speak of Jamerson is to speak of the very architecture of popular music. He was the uncredited heartbeat of Motown’s golden era—the man who played on more number-one hits than The Beatles, Elvis Presley, The Beach Boys, and The Rolling Stones combined. The search volume for reveals a modern reality:

Why obsess over a single page from a 250-page book? Because page 14 encapsulates a revolution. Before Jamerson, bass was timekeeping. After Jamerson, bass became a lead instrument that happened to be low in the mix.

Page 14 is famous in bass communities because it contains the first major breakdown of Jamerson’s signature line on This is not just any bass line. Dr. Licks and fellow bassist Anthony Jackson (the inventor of the six-string bass) have called it “the single greatest bass performance ever recorded.” If you are a serious student, here is