Lucita’s father, a man of rigid intolerance, banishes her to a convent to keep her away from Esteban. To further destroy their bond, he denounces Esteban as a heretic. The Descent:
The story follows (Jenny Tamburi), who is banished to a convent by her intolerant father to keep her away from her lover, Esteban (Paolo Malco). Esteban, accused of heresy, seeks refuge in the same convent, only to discover it is a madhouse ruled by the sadistic Sister Incarnation (Françoise Prévost). The film follows their struggle to escape the deranged torments of the Inquisition and the depravity within the convent walls. DVD & Home Media Details The sinful nuns of saint valentine - 1974 -DVD...
, is a classic of the Italian "nunsploitation" genre. Directed by , the film is a melodramatic mix of historical drama, horror, and eroticism set during the Spanish Inquisition. Plot Summary Lucita’s father, a man of rigid intolerance, banishes
"The Sinful Nuns of Saint Valentine" is a film that continues to fascinate audiences to this day, its notorious reputation and enduring popularity a testament to its place in the pantheon of Italian exploitation cinema. With its recent release on DVD, fans of the genre can now experience the film in a whole new way, with a range of bonus materials and a restored print that brings the film's lurid visuals to life. Esteban, accused of heresy, seeks refuge in the
In the realm of Italian exploitation cinema, few films have garnered as much notoriety as "The Sinful Nuns of Saint Valentine," a 1974 softcore pornographic film directed by Sergio Martino. The movie, also known as "Le monachelle più bollenti di San Valentino" in its native Italian, has become a cult classic among fans of the genre, and its enduring popularity has led to its release on DVD and other digital platforms.
) stands out as a surprisingly coherent and atmospheric entry that blends gothic horror with the era's signature eroticism. The Story: Love, Heresy, and the Inquisition
includes the original Italian 4-fogli poster (featuring a nun clutching a crucifix upside down) and the French dossier de presse , which famously misquotes the Vatican as having condemned the film – a likely marketing gimmick.