فیلم به جای پرداختن به یک داستان عاشقانه ساده، به موضوعاتی همچون ، تاثیر اشتباهات والدین بر سرنوشت فرزندان و شجاعت برای تغییر میپردازد. پایانبندی فیلم نیز یکی از نقاط قوت آن است که ذهن بیننده را تا مدتها درگیر میکند. راهنمای تماشا
"Ikimizin Yerine" is a 2017 Turkish drama film directed by Selim Demirdelen. The film tells the story of two young people, Kemal and Eylül, who meet by chance and embark on a journey of self-discovery. As they navigate their complicated pasts and relationships, they begin to question the meaning of life and love. danlwd fylm Ikimizin Yerine bdwn sanswr
فیلم (به جای هردومون) یکی از محبوبترین و پراحساسترین آثار سینمای ترکیه در سالهای اخیر است. این فیلم که در سبک درام و عاشقانه ساخته شده، با داستانی گیرا و بازیهای درخشان، توانسته جایگاه ویژهای در میان مخاطبان فارسیزبان پیدا کند. در این مقاله، به بررسی کامل این اثر، بازیگران، داستان و نکاتی که پیش از تماشای آن باید بدانید، میپردازیم. خلاصه داستان فیلم İkimizin Yerine The film tells the story of two young
The film also uses the motif of “listening” as resistance. In a country where state surveillance is a historical reality (from coup-era wiretapping to modern digital monitoring), the lovers must whisper. Their whispers become the film’s quiet, persistent heartbeat. The censorship apparatus, by attempting to mute this whisper, inadvertently amplifies it. The very act of banning certain scenes turned İkimizin Yerine from an art-house film into a political document. این فیلم که در سبک درام و عاشقانه
Online forums like Ekşi Sözlük and Reddit’s r/TurkishCinephiles have threads asking: "Is there really a banned uncensored version of İkimizin Yerine? Where can I find it?"
In the landscape of contemporary Turkish cinema, few films have navigated the treacherous waters of artistic expression and state censorship as poignantly as İkimizin Yerine (2016), directed by Umut Evirgen. The title itself—meaning “In the Place of the Two of Us” or “Instead of Both of Us”—suggests a void, a substitution, an absence. This absence is not only thematic but also literal, as the film became a subject of censorship by the Turkish Radio and Television Supreme Council (RTÜK) due to its depiction of a romantic relationship between two women. This essay will explore how İkimizin Yerine uses its narrative of a forbidden lesbian relationship against a backdrop of political trauma to critique societal repression. It will argue that the censorship the film endured is not an external aberration but a logical extension of the very patriarchal and nationalist ideologies the film seeks to dismantle. The “sanswr” (censorship) imposed on the film paradoxically proves its central thesis: that love, particularly queer love, is a radical act of resistance against a state and society built on surveillance, memory control, and compulsory heteronormativity.
که در نقش مادر چیچک، بازی قدرتمندی را در نمایش تضادهای نسلی و نگرانیهای مادرانه به اجرا گذاشته است. چرا این فیلم ارزش تماشا دارد؟