It arrived just as Bowie was transitioning into his massive 1980s commercial peak with Scary Monsters (and Super Creeps) .
It is that his creative peak was a tidy, analog thing: the coke-fueled paranoia of Station to Station , the experimental exile of the Berlin Triptych (Low, “Heroes,” Lodger), and the glittering death of Ziggy Stardust. We prefer Bowie as the alien. We are less comfortable with Bowie as the businessman .
Unlike MP3, which discards data (a process called "lossy compression"), FLAC is a zip file for sound. When you play a FLAC, you get back the exact 24/96 PCM stream bit-for-bit. The file size is large (expect 250MB to 400MB per track), but the preservation of the transient response—the snap of a snare drum—is absolute. David Bowie The Best Of Bowie 1980 -24.96- FLAC LP
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If you download the 24.96 FLAC LP and A/B it against the 1990s CD remaster, here is what you will notice immediately: It arrived just as Bowie was transitioning into
Search for rips that specify the gear used (e.g., "Technics SL-1200G -> Ortofon 2M Black -> RME ADI-2 Pro"). Avoid torrents that are simply upscaled MP3s (you cannot create 24-bit depth from a 16-bit source).
What does this mean for the listener? A 16-bit recording offers 65,536 possible amplitude values for the sound wave. A 24-bit recording offers 16,777,216 possible values. This provides an immense increase in dynamic range (the difference between the quietest and loudest sounds). The 96kHz sample rate captures over twice the frequency information of a standard CD. We are less comfortable with Bowie as the businessman
By the time we reach Tonight (1984) and Labyrinth (1986), Bowie is trapped in his own success. The compilation includes “Blue Jean” and “Absolute Beginners.” In lossy formats, these are breezy filler. In 24/96, they are haunted.
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