The Government of the Republic of Liberia is now issuing Ecowas Biometric Passport to it's citizen.
For full information, please contact the consular section of the embassy.
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1.	All applicants must apply online at www.liberiapassports.com, make payment (USD205.00) and obtain an online passport application confirmation. Please note that application fee is Non-Refundable.
2.	Applicants must contact the Liberian Embassy in Belgium either by phone or Email (+32 2 411 01 12,) to arrange an interview date.
3.	Applicants must bring the following relevant documents to help prove their Liberian Nationality at the time of interview.
	a. Birth Certificate
	b. Previous Passport if any
	c. Naturalization Certificate

All documents are subject to scrutiny or verification. Please allow between 4-6 weeks for passport processing.

Padak -2012- ((free))

The legacy of is that of a beautiful, dreadful miracle. It proves that South Korean animation can rival its live-action cinema in terms of raw emotional and psychological depth. Director Lee Dae-hee created a film where the animation must look raw and unfinished because the subject matter is too brutal for polish.

Representing the old guard, authoritarianism, and the comfort of slavery. The Master has internalized his oppression. He believes that by appeasing the "Gods" (the humans) and keeping order, he can prolong his life. He represents the fear of freedom; to him, the open ocean is a terrifying unknown, and the tank is safety.

In the end, Padak manages to jump out of the tank and flops toward the open sea, but she is caught mid-air by a seagull and carried away — presumably to be eaten. Spotty, watching from the tank, is left behind. padak -2012-

: Many fish choose the "safety" of the tank over the risk of escape, a commentary on how people often trade their freedom for a predictable, if miserable, existence. Visual Style and Production

A survivor who has lived in the tank the longest by playing dead or hiding. He represents "The Realist" (or Nihilist). He has maintained his status by enforcing a hierarchy, proving that even in the face of death, creatures will seek power over one another. Themes of Social Hierarchy and Apathy The film is a searing allegory for modern Korean society The legacy of is that of a beautiful, dreadful miracle

The tank is ruled by an old who maintains order through fear and a "shamanistic" ability to predict which fish will be picked next for the chef's knife. The mackerel’s relentless "padak-padak" (the flapping sound of a fish out of water) serves as both her name and a symbol of her defiance against the stagnant, captive life the others have accepted. Themes and Social Commentary

: Inside the tank, the fish replicate the cruel structures of the world outside. The "Old Fish" maintains power by hoarding information and food, showcasing how captive environments can breed internal tyranny. He represents the fear of freedom; to him,

Lee Dae-hee uses a jarring mix of 3D and 2D animation to heighten the discomfort. The 3D animation of the tank is cold and mechanical, while the 2D "dream sequences" are vibrant and fluid, representing the fish’s memories of the ocean. The graphic depictions of "ikizukuri" (eating seafood while it is still alive) strip away any "Disney-fied" lens, forcing the viewer to confront the visceral reality of consumption. Conclusion

Upon its release in 2012, Padak was submitted to the and won the Audience Award at the Bucheon International Fantastic Film Festival . Critics praised its audacity. General audiences, however, were polarized.