– The 2025 stage musical adaptation filmed its prologue here. You can rent Villa La Vigie , next door, owned by the Monaco royal family and used for Iron Man 2 . Direct views of the Mediterranean – exactly where Fogg’s yacht would anchor.
– Stands in for Fogg’s London home (exteriors). You can rent this 15th-century château (sleeps 24) for less than $5k/night. Has a screening room that plays the film on loop. Ultimate Movievilla.
: By including the Jade Buddha subplot and the character of Monique La Roche , an aspiring French artist, the film attempts to showcase diverse perspectives, though critics often noted it leaned heavily into "Western exaltation" by its conclusion. The Spectacle of the Journey Around the World in 80 Days (2004, Frank Coraci) -Movievillas- - Around the World in 80 Days -20...
served as the backdrop for London, Paris, Italy, and even the American Wild West. Critical Reception
– The desert balloon landing was filmed near Tabernas. Rent El Palmar , a minimalist villa used as a set for Lawrence of Arabia (extras’ quarters). It’s 15min from actual film sets. – The 2025 stage musical adaptation filmed its
Phileas Fogg’s wager was won by just 10 minutes. Yours will be won the moment you step into a villa where David Niven once rehearsed a line, where Pierce Brosnan relaxed between takes, or where a Disney crew scouted an elephant’s walkway.
Unlike the book's stoic and wealthy , the 2004 film portrays him (played by Steve Coogan ) as an eccentric, often-ridiculed Victorian inventor. The stakes are also personal: Fogg enters the wager against the villainous Lord Kelvin to prove his scientific worth and keep his laboratory. – Stands in for Fogg’s London home (exteriors)
– Used in a 2024 animated short’s background (volcanic landscapes). This artist’s villa is rentable and includes a dubbing studio.
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Ultimately, the film fails not because it is unfaithful to Verne, but because it misunderstands the nature of the journey. The pleasure of Around the World in 80 Days is the friction: the delays, the cultural collisions, the ingenuity required to patch together a steamer, a train, and an elephant. The Movievillas aesthetic, with its seamless stitching and virtual camera moves, removes that friction. It offers a world without resistance, and consequently, a victory without meaning. As Fogg and Passepartout cross the finish line, the audience feels not triumph, but a vague sense of jet lag—the exhaustion of having traveled thousands of miles without ever leaving the sofa. In the grand race between the physical world and the digital villa, the 2004 film proves that the quickest route around the world is also the most forgettable.