Eddie Harris Intervallistic Concept Pdf Direct

But beyond the gadgets and the hits, Harris was a deep musical philosopher. He grew tired of the standard jazz education method: memorize the chord changes to “Giant Steps,” run the ii-V-I licks, and recite transcribed solos. Harris realized that most musicians were playing changes , not music. He wanted a system based on pure sonic relationships—intervals.

– Demonstrates how to apply these concepts across various genres, including blues, funk, and Latin jazz. Where to Find the Method

One of the foundational exercises associated with the concept is the systematic permutation of intervals. Eddie Harris Intervallistic Concept Pdf

By utilizing large skips (fourth, fifths, and beyond), players break free from predictable linear patterns.

Mastering Intervals: Inside the Eddie Harris Intervallistic Concept But beyond the gadgets and the hits, Harris

Modern players like (of M-Base) and Chris Potter often use intervallic logic to navigate "outside" playing. Even guitarists like Allan Holdsworth used a similar approach—seeing the fretboard as a grid of intervals, not a map of scales.

Below is a draft piece for practice that applies these concepts. The "Wide-Angle" Etude (C Major/A Minor) He wanted a system based on pure sonic

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To understand why the "Intervallistic Concept" is so revolutionary, one must first understand the standard operating procedure of jazz education.