The album includes roughly 9 to 10 tracks, featuring early versions of songs that later became staples of the band's repertoire: Apple Music Destruida Roll (Unreleased, 1989) (Unreleased Version, 1984) Descerebrado (Unreleased Version, 1984) Ahora No Es Lo Mismo (Moda) (Unreleased Version, 1984) (Unreleased Version, 1984) Carol (Carolina) (Unreleased Version, 1984/1985) Chica Cadáver (From "Ratones Paranoicos" Album, 1985/1986) (Unreleased Version, 1984) Ya No Me Importa (Unreleased Version, 1984) (Unreleased Version, 1986) Significance

The title is a play on words: Raros Ratones (Strange Mice) vs. Ratones Paranoicos (Paranoid Mice). This album is a , not a standard studio album. Ratones Paranoicos - Raros Ratones -CD Album--M...

: An unreleased gem from 1989 that kicks off the album. The album includes roughly 9 to 10 tracks,

. This album serves as a collection of rarities, unreleased versions, and early recordings from the band's formative years. Album Overview Release Year: Compiled and produced by Gustavo Gauvry Recording Period: The tracks were primarily recorded between 1984 and 1989 : An unreleased gem from 1989 that kicks off the album

When the album hit the shelves in 1986, it wasn't just a collection of songs; it was a statement of intent. It was garage rock, grit, and attitude, recorded with a lo-fi aesthetic that stood in stark contrast to the over-produced pop dominating the radio waves.

By 1995, Ratones Paranoicos had already established themselves as the premiere "Rolling Stones" of Argentina, having opened for their idols at River Plate Stadium and worked with legendary producer Andrew Loog Oldham. Raros Ratones was released during this peak era to offer fans a look at the raw, underground roots of the Rolinga movement they spearheaded.

Ratones Paranoicos - Raros Ratones -cd Album--m... __exclusive__ Jun 2026

The album includes roughly 9 to 10 tracks, featuring early versions of songs that later became staples of the band's repertoire: Apple Music Destruida Roll (Unreleased, 1989) (Unreleased Version, 1984) Descerebrado (Unreleased Version, 1984) Ahora No Es Lo Mismo (Moda) (Unreleased Version, 1984) (Unreleased Version, 1984) Carol (Carolina) (Unreleased Version, 1984/1985) Chica Cadáver (From "Ratones Paranoicos" Album, 1985/1986) (Unreleased Version, 1984) Ya No Me Importa (Unreleased Version, 1984) (Unreleased Version, 1986) Significance

The title is a play on words: Raros Ratones (Strange Mice) vs. Ratones Paranoicos (Paranoid Mice). This album is a , not a standard studio album.

: An unreleased gem from 1989 that kicks off the album.

. This album serves as a collection of rarities, unreleased versions, and early recordings from the band's formative years. Album Overview Release Year: Compiled and produced by Gustavo Gauvry Recording Period: The tracks were primarily recorded between 1984 and 1989

When the album hit the shelves in 1986, it wasn't just a collection of songs; it was a statement of intent. It was garage rock, grit, and attitude, recorded with a lo-fi aesthetic that stood in stark contrast to the over-produced pop dominating the radio waves.

By 1995, Ratones Paranoicos had already established themselves as the premiere "Rolling Stones" of Argentina, having opened for their idols at River Plate Stadium and worked with legendary producer Andrew Loog Oldham. Raros Ratones was released during this peak era to offer fans a look at the raw, underground roots of the Rolinga movement they spearheaded.