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) remains one of the most playful and visually striking entries in film history. While Godard is often associated with gritty black-and-white realism, this 1961 gem was his first venture into vibrant Technicolor and CinemaScope
Keywords integrated: une femme est une femme -1961-
Une femme est une femme is not Godard’s best film ( Breathless or Contempt usually claim that title), but it is certainly his most charming. It is the sound of a young director falling in love with his actress and with the movies. It remains, more than sixty years later, an unmissable testament to the power of artifice, the beauty of Anna Karina, and the radical idea that a woman—stubborn, beautiful, and demanding—is simply a woman. une femme est une femme -1961-
If you are searching for this title, you are likely deciding whether to stream the Criterion Collection edition or find a revival screening. You should watch Une femme est une femme for the same reason you listen to early Beatles records: because it invents a new kind of joy.
“You’re lying.” – “I know. That’s why I’m interesting.” (Angela to Émile) ) remains one of the most playful and
: In one of the most famous scenes, Angéla and Émile refuse to speak to each other. Instead, they "argue" by pulling books off their shelves and pointing to specific titles to convey their insults and feelings.
: Characters frequently look directly at the camera, acknowledging the audience and the fact that they are in a movie. Resolution It remains, more than sixty years later, an
), an exotic dancer in Paris who is struck by a sudden, desperate desire to become a mother. When her reluctant boyfriend, Émile ( Jean-Claude Brialy
Angela declares, "I am a woman, and I am responsible for my own actions." In the context of 1961 France, this was radical. She wants a child not to trap a man, but because she has decided her biological clock is ticking. The film argues that une femme est une femme —a woman is a woman—meaning she is not defined by her relationship to a man, but by her own whims, desires, and autonomy.
Here’s a content package for Une femme est une femme (1961), directed by Jean-Luc Godard. You can use this for a film blog, social media post, video essay script, or DVD/Blu-ray booklet.
“Tragedy = a man crying. Comedy = a man falling down.” – Title card