Set between coastal Syria (pre-war nostalgia scenes) and the pine forests of southwestern Turkey, Closest Love to Heaven follows Leen (played by a magnetic Shahd, possibly the same “Shahd” credited as subject/actor), a young woman mourning her father – a beekeeper who believed honey from the highest mountain flowers was “the closest love to heaven.” After his death, she inherits his worn leather journal, which contains coordinates leading to a lost apiary across the border.
To watch Closest Love to Heaven is to feel the ache of geography. This is not a film that rushes. Director Shahd (assuming auteur credit) lingers on hands pressing honeycomb, on fog swallowing a mountain pass, on the silence between two people who have forgotten how to trust. The 2017 release went largely unnoticed outside festival circuits, but the Albanian-subtitled version (“mtrjm alyabany”) has gained a small cult following in the Balkans – perhaps because its themes of displacement and sweet labor resonate where borders have been redrawn by war. Set between coastal Syria (pre-war nostalgia scenes) and
Iitoyo portrays the eccentric, kind-hearted heroine with nuance, effectively capturing her growth from a silent wallflower to a fierce emotional pillar. Director Shahd (assuming auteur credit) lingers on hands
The 2017 Japanese film Closest Love to Heaven (Japanese title: Kyô no Kira-kun The 2017 Japanese film Closest Love to Heaven