Portman finally gets to have fun. Watching Jane Foster juggle chemotherapy with the ability to smash alien ships with Mjolnir is surprisingly moving. Her chemistry with Hemsworth is electric—rekindling the romance without making it cheesy.
But Gorr does not die defeated. He dies redeemed. Thor- Love and Thunder
The film adapts Jason Aaron’s celebrated run from the comics, where a cancer-stricken Jane Foster wields Mjolnir, the hammer deemed "unworthy" by Thor. The film handles this plotline with surprising grace. While the MCU is often accused of tonal whiplash, the depiction of Jane’s cancer is treated with respect and gravity. It serves as a stark contrast to the film’s more outlandish elements. Portman finally gets to have fun
Thor: Love and Thunder has received the most criticism for its tone. The film is aggressively silly. Screaming goats (Tanngrisnir and Tanngnjóstr) appear every five minutes. Thor’s weapons have jealousy issues, leading to a polyamorous joke involving Stormbreaker and Mjolnir. Russell Crowe plays Zeus as a fat, erotic, gold-plated himbo who does a terrible Greek accent. But Gorr does not die defeated
The plot races across the cosmos from the golden halls of Omnipotence City (a hilarious satire of divine bureaucracy) to the shadowy realm of the Black and White, culminating in a final battle at Eternity. It is a road trip movie, a buddy adventure, and a tragedy all at once.
The battle in the Shadow Realm is a highlight. It is shot entirely in black-and-white, with only the color of lightning and the Necrosword cutting through the monochrome palette. It is the most art-house moment the MCU has ever produced, feeling less like a superhero fight and more like a German expressionist horror film.
If you want a safe, predictable Marvel movie, this will frustrate you. If you want a director swinging for the fences—trying to discuss cancer, parental grief, and the nature of divinity within a two-hour toy commercial—you will find Thor: Love and Thunder unforgettable.
Haben Sie Fragen?