At its core, Zebra CM is a . Unlike a fixed-architecture synth (like a classic Juno or a standard subtractive synth), Zebra CM allows you to route modules in various ways. However, unlike a fully modular environment (like Reaktor or VCV Rack), it keeps the screen relatively clean and the workflow efficient.
The signal chain doesn't stop at the filter. You can insert various effects directly into the grid. u-he zebra cm
The factory library for Zebra CM, though small, was designed by u-he’s in-house sound designers (including the legendary Howard Scarr). You aren't getting stock "saw wave" presets; you are getting cinematic impacts, evolving atmospheres, and musically tuned basses. At its core, Zebra CM is a
Perhaps the most distinct feature of Zebra CM—and one that differs significantly from the standard Zebra2 workflow—is the button. The signal chain doesn't stop at the filter
If you are reading this and you don't own Zebra 2, go to your local newsstand or visit the Computer Music website right now. For the price of a coffee and a sandwich, you are getting a $200 synth engine.
Result? A gnarly, plucky bass that cuts through a mix.