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during the early "Category III" period of her career in the mid-1990s. Publication

In the late 1990s, her breakout role in Viva Erotica and her subsequent crossover into mainstream cinema with The Storm Riders and So Close signaled a shift. This transition was mirrored in her wardrobe. The early 2000s saw her experimenting with the Y2K aesthetic—low-rise jeans, bold colors, and the bedhead hair that would become her signature. Yet, even in those chaotic trend-driven years, there was a glimmer of the muse she would become. The "Extra Hsu Chi" of this era was raw, unfiltered, and undeniably captivating. during the early "Category III" period of her

Similarly, her work with showcases a different facet of her style persona: the classic, timeless lady. Here, the "Extra Hsu Chi" is polished and refined. We see the shift towards sleek updos, neutral palettes, and tailoring that emphasizes poise. This duality—able to embody the rock-chic vibe of a Bulgari campaign and the demure elegance of a watch advertisement—cements her status as a style chameleon. The early 2000s saw her experimenting with the

No gallery would be complete without the infamous 2015 "China: Through the Looking Glass" gala. While others played it safe with dragon embroidery, Hsu Chi arrived in a custom mustard-yellow gown by Reynaldo & Rey. The ensemble featured: Similarly, her work with showcases a different facet